The Amazing Owl

The Amazing Owl————————————————————– The Woman that Lives in the Sun
Both by Kenojuak Ashevak

April 7. Once again, the prompt took me to brand new and far off places. I picked up the gauntlet of being asked to write a self-portrait poem, in which I explain why I am not a particular piece of art and in which I use at least one outlandish comparison, and a strange (and maybe not actually real) fact.

I visited the Canadian Museum of History where I discovered the works of Kenojuak Ashevak (1927 – 2013). Born in Cape Dorset, Nunavut, she is known primarily for her drawings as a graphic artist. She is celebrated as a leading figure of modern Inuit art and one of Canada’s preeminent artists and cultural icons.

I found her work of the 1960’s reminiscent of Heinz Eidelman’s artwork for Yellow Submarine, but she predates that work.  I have tried to explain why I could not be one of the subjects.


Her eyes pin me with spears of artic ice.
She demands a response,
She will not take no answer for an answer.

I’m fixed in place, my feet frozen by ankle deep aput,
What can I say to this phantasmagorical bird?
She has spoken and demands that I be heard.

Her radiant Saharan sand tail feathers give the faintest of flutters,
I see her corrupted indigo talons, twitch
As she mutters, “why can you not be more like me”?

I feel as terrified as a Nowhere Man at his surprise birthday party on the Glastonbury main stage
As isolated as a Blue Rabbit eating seaweed on the moon.
If only the woman who lives in the sun could warm my O so cold courage.

I hear my voice say “I love your land with its qana drizzled sunsets”
“and to attend the Narwhal Ball would be a treasure” adds I,
“but I am a man and need to pee, and it would freeze and fall off here if I let it dangle free.”


Kenojuak described her work thus in 1980:

“I just take these things out of my thoughts and out of my imagination, and I don’t really give any weight to the idea of its being an image of something…. I am just concentrating on placing it down on paper in a way that is pleasing to my own eye, whether it has anything to do with subjective reality or not. And that is how I have always tried to make my images, and that is still how I do it, and I haven’t really thought about it any other way than that. That is just my style, and is the way I started and the way I am today.”

I think that’s something we can all learn from.

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